1. Introduction: Kristine Moruzi and Michelle J. Smith
Section 1: Genre Trouble: Gothic Hybrids
2. Zombies Vs Unicorns: An Exploration of the Pleasures of the Gothic for Young Adults – Patricia Kennon
3. Genre Mutation and the Dialectic of YA Gothic Dystopia in Holly Black’s The Coldest Girl in Coldtown – Bill Hughes
Section 2: Rewriting the Historical Gothic
4. ‘Vanguard taste and fashion spirit’: Feminist Responses to Twenty-First Century, Western Zeitgeist in Vampire Romeo and Juliet texts – Sarah Olive
5. The Pre-Monstrous Mad Scientist and the Post-Nerd Smart Girl in Kenneth Oppel’s Frankenstein Series – Sean P. Connors and Lissette Lopez Szwydky
6. Rock Star Rochester and Heartthrob Heathcliff: The Problematic Redemption of the Byronic Hero in Recent Young Adult Retellings of Brontë Novels – Sara K. Day
Section 3: Gothic Places
7. Monstrous Islands: Spatiality and the Abjection of Motherhood in Gothic Young Adult Fiction – Cecilia Rogers
8. Adolescence Adrift: The Lost Child in Contemporary Australian Gothic YA Fiction – Adam Kealley
Section 4: The Human and the Non-Human
9. Accepting Monsters: The Visual Gothic in I Kill Giants and A Monster Calls – Debra Dudek
10. Unhuman Entanglement: Onto-Ethics and the Fiction of Frances Hardinge – Chloé Germaine Buckley
11. Black and White and Read All Over: Miss Peregrine’s Peculiar Children, Gothic Imagery and Posthuman Publishing – Jen Harrison
Section 5: Gothic Femininities
12. Testimony from Beyond the Grave: Comparing Girls’ Narratives of Sexual Violence and Death in Gothic Fiction – Lenise Prater
13. Young Adult Gothic Fairy Tales and Terrifying Romance – Michelle J. Smith and Kristine Moruzi
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